Such a feat was impossible with Betamax and full-sized VHS camcorders, having shoulder-mount form factor. Thanks to their compact size, Video8 camcorders are small enough to hold in the palm of the user's hand. NOTE: In general, Video8 comfortably outperforms non-HiFi VHS/Beta/VHS-C. (Betamax and VHS Hi-Fi rarely appeared on camcorders, except on the high-end models.) Video8 later included true stereo, but the limitations of camcorder microphones at the time meant that there was little practical difference between the two AFM systems for camcorder usage. This meant that Video8's standard audio was of a far higher quality than that of its rivals, although linear audio did have the advantage that (unlike either AFM system) it could be re-recorded without disturbing the video. Coupled with the slow horizontal tape speed, the sound was comparable with that of a low-quality audio cassette.īy contrast, all Video8 machines used audio frequency modulation (AFM) to record sound along the same helical tape path as that of the video signal. In terms of audio, Video8 generally outperforms its older rivals.Īudio on Standard VHS and Beta is recorded along a narrow linear track at the edge of the tape, where it is vulnerable to damage. In terms of video quality, Video8 offers similar performance to Beta-II and VHS in their standard-play modes. Yet, several months later at the summer 1986 Consumer Electronics Show Olympus introduced an eight-millimeter camcorder manufactured by Matsushita, and Hitachi was reported to be making eight-millimeter machines for Minolta & Pentax. In April 1986 six Japanese electronics companies-Matsushita, Hitachi, Pentax, Minolta, Mitsubishi, Sharp and Toshiba-announced their lack of plans to embrace eight millimeter in the foreseeable future and instead adopted VHS-C format. Sony digital voice recorder manual#Also in 1985, Sony released the first of their compact Handycam range: the CCD-M8, which at one kilogram was half the mass of the CCD-V8, though it had no zoom and supported only manual focus with three focus settings. The same year, Sony released the CCD-V8AF which added autofocus. The first Sony camcorder capable of recording to standard 8mm videotape was the Sony CCD-V8, with 6x zoom but only manual focus, released in 1985 with a price equivalent to $1175, and a mass of 1.97 kg. The Kodak machines were produced by Matsushita Electric, but Matsushita itself had shown no interest in selling the same product under its own name. The first two models were the Kodak Kodavision 22, both over US$1,500. Video8 was launched in 1984, into a market dominated by the VHS-C and Betamax formats. Much smaller than the competition's VHS and Betamax video cameras, Video8 became very popular in the consumer camcorder market.Īn amateur grade Video8 Camcorder from the early 1990s Video8 In 1985, Sony of Japan introduced the Handycam, one of the first Video8 cameras with commercial success. In January 1984, Eastman Kodak announced the new technology in the U.S. As a result, a consortium of 127 companies endorsed 8-mm video format in April 1984. In 1982, five companies - Sony, Matsushita, JVC, Hitachi and Philips - created a preliminary draft of the unified format and invited members of the Electronic Industries Association of Japan, the Magnetic Tape Industry Association, the Japan Camera Industry Association and other related associations to Sony digital voice recorder professional#Their user base consisted mainly of amateur camcorder users, although they also saw important use in the professional television production field. These are the original Video8 ( analog recording) format and its improved successor Hi8 ( analog video and analog audio but with provision for digital audio), as well as a more recent digital recording format known as Digital8. The 8mm video format refers informally to three related videocassette formats.
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